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Miami 2001
By Joy Lynn Clark 09/08/2016 It was 2001. I was in college, producing audio, and doing freelance street promo for various nightclubs, ad agencies, and marketing companies. My partner was like, “Let’s go to Miami for the Electronic Music Festival”. I am like, “I gotta make an album”. That year we checked out Crobar in Miami and we also helped promote a night at Ibiza. In addition to all of the flyers I handed out, I also gave away 3 albums: Bang My Sh!t, (my house record), The Friday Knight record (which was actually my rap record which also featured Tez E. Bare and Ms. Shyste Shy) and the Thoroughbreds…
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Friday (Joy Lynn Clark), Lyfe, and Megan Demma
5/22/2018 By Joy Lynn Clark We made this song forever ago. I wrote all of the lyrics and my friend from school’s husband co-produced it and made the track.
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Tez E. Bare, Ray and Friday (Joy Lynn Clark)
9/21/2017 So, around 1999 – 2000 I started getting good at production. I worked with Tez E. Bare and Ray
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BLURRED LINES: Bringing Focus to the 9th Circuit’s Copyright Decision In Williams v. Gaye
reprinted from https://www.natlawreview.com/article/blurred-lines-bringing-focus-to-9th-circuit-s-copyright-decision-williams-v-gaye On March 21, 2018, the United States Court of Appeals for the Ninth Circuit issued its decision in the highly publicized copyright suit, Pharrell Williams, et. al., v. Frankie Christian Gaye, et. al, No. 15-56880 (Slip Op.; Dkt. 93-1) (Mar. 21, 2018 9th Cir.) (“Williams”). Given the lower court’s controversial holding in favor of the copyright holders, many expected the Ninth Circuit, a highly influential court on copyright matters, to take the opportunity to address some of the important substantive questions raised by this case, providing guidance to the lower courts regarding the scope of copyright protection properly afforded to such musical works. More specifically, many legal practitioners and industry…
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Nega-Mi (clean)
By Joy Lynn Clark 5/16/2018